从menewsha.com委托的作品。夜丽希雅属于Arikana。
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120
Programme 软件: CamStudio, Adobe Premiere CS6, Prism Video Converter
I Dream Enough Already
Tuesday, July 23, 2013
Ei'lycia - Tone Video
A commission from menewsha.com. Ei'lycia belong to Arikana.
从menewsha.com委托的作品。夜丽希雅属于Arikana。
---
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120
Programme 软件: CamStudio, Adobe Premiere CS6, Prism Video Converter
从menewsha.com委托的作品。夜丽希雅属于Arikana。
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120
Programme 软件: CamStudio, Adobe Premiere CS6, Prism Video Converter
Sunday, July 14, 2013
Ei'lycia - Screen Tone
A commission from menewsha.com. Ei'lycia belong to Arikana.
从menewsha.com委托的作品。夜丽希雅属于Arikana。
This stage would be the last stage. Screen tone most commonly used by Japanese Comic, Manga. There are a lot of patterned screen tone available, from shading to backgrounds. If you are doing screen toning traditionally, it is a completely different skill to master, but if it is done digitally, it is the same tools you use. First, I got the black colour shaded in, just simple filling in the blanks.
这是最后阶段。通常会使用网点的是日本漫画。网点包罗万象，从简单的灰色到背景。如果用传统的方法贴网点的话，那会是完全不同的技术，可是如果用电脑的话，会用回相同的工具。首先将黑色涂上，简单的上色。
Before the whole screen toning started. I already have a collection of different screen tones in jpg or other formats from internet. Moving into Photoshop, there are various way to get the screen toning on it. Each tone has it own layer for easy management. The screen tone is going to interpret darkness and colour value in gray scale, it is a challenging form to express the colour value and shadow by limited to monochrome.
整个上网点的程序还没开始時，我已经从网络上下载了一套各种各样的网点图片。搬进Photoshop，有不同的手法上网点。每个网点都拥有自己的图层以便容易管理。网点将会用灰色调来诠释黑暗和颜色，相当有挑战性的媒介来展现颜色和光影。
Depending on the area and whether the tone needs further correction, I use different method to get the screen tone in. For example:
1. Layer mask. Use for undecided screen tone type and area to fill in.
2. Pattern Overlay & Fill. Generally for area decided.
根据不同的地方和不肯定网点的选择，我会使用不同的方法来上网点。例如：
1. Layer Mask。当不肯定网点和地方的时候。
2. Pattern Overlay & Fill. 通常使用于肯定的地方。
Lastly, do not forget to add in high lights. The line where it is covered with black colour, should be coloured to white. Then it is done!
最后，别忘加上光点。之前被黑色吞没的线条应该图上白色。这就完成了！
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Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120, WACOM Intuous 3.
Programme 软件: SAI彩, Adobe Photoshop CS6
Layer Mask
Feather > Pattern Overlay
Fill > Pattern
从menewsha.com委托的作品。夜丽希雅属于Arikana。
这是最后阶段。通常会使用网点的是日本漫画。网点包罗万象，从简单的灰色到背景。如果用传统的方法贴网点的话，那会是完全不同的技术，可是如果用电脑的话，会用回相同的工具。首先将黑色涂上，简单的上色。
整个上网点的程序还没开始時，我已经从网络上下载了一套各种各样的网点图片。搬进Photoshop，有不同的手法上网点。每个网点都拥有自己的图层以便容易管理。网点将会用灰色调来诠释黑暗和颜色，相当有挑战性的媒介来展现颜色和光影。
Depending on the area and whether the tone needs further correction, I use different method to get the screen tone in. For example:
1. Layer mask. Use for undecided screen tone type and area to fill in.
2. Pattern Overlay & Fill. Generally for area decided.
根据不同的地方和不肯定网点的选择，我会使用不同的方法来上网点。例如：
1. Layer Mask。当不肯定网点和地方的时候。
2. Pattern Overlay & Fill. 通常使用于肯定的地方。
Lastly, do not forget to add in high lights. The line where it is covered with black colour, should be coloured to white. Then it is done!
最后，别忘加上光点。之前被黑色吞没的线条应该图上白色。这就完成了！
---
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120, WACOM Intuous 3.
Programme 软件: SAI彩, Adobe Photoshop CS6
Layer Mask
Feather > Pattern Overlay
Fill > Pattern
Wednesday, July 3, 2013
Ei'lycia - Background Video
A commission from menewsha.com. Ei'lycia belong to Arikana.
从menewsha.com委托的作品。夜丽希雅属于Arikana。
---
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120
Programme 软件: CamStudio, Adobe Premiere CS6, Prism Video Converter
从menewsha.com委托的作品。夜丽希雅属于Arikana。
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120
Programme 软件: CamStudio, Adobe Premiere CS6, Prism Video Converter
Monday, July 1, 2013
Ei'lycia - Background
A commission from menewsha.com. Ei'lycia belong to Arikana.
从menewsha.com委托的作品。夜丽希雅属于Arikana。
In regard to background, before making your first line, research should be done to fit the pose and atmosphere and most importantly, the story background setting of the character, if they have one. This time, the owner gave me a place as a reference, and I do a simple google search. Then select a few suitable background and slowly narrow them down to fit the pose and such. It do not take long, just browse through pages, brainstorm and done. At the end, I decided to draw her in an alley under the building shadow, ready to attack.
做背景的时候，在还没有画上第一条线之前，为了配合姿势、气氛还有最重要的是人物的故事背景如果有的话，最好有做前期的研究。这次拥有者给了我一个可参考的地方，做了简单的网络搜索。圈选了一些适合的背景，之后在配合姿势和其他关键下慢慢的缩小范围。并没花费多长的时间，只是扫描过网页、构思就完成了。最后，我把她放在建筑物阴影下的小巷，预备攻击。
As usual, sketch first before final line, cyan colour as always. Points to pay attention when drawing architecture background:
1. Perspective.
2. Thickness and hardness of material.
如往常，完稿之前先草稿，还如常用浅蓝色。当画建筑背景应注意的要点：
1. 远近画法
2. 材料的厚度、软硬。
The best way to do perspective is to have guidelines. My background belongs to two point perspectives, I do not plot the complicated construction lines, I just start with the vital 3 lines and then copy over for reference in other area. The 3 lines include the 2 different horizontal angle and vertical angle.
远近画法最佳的方法是用底线。我的背景属于双点远近，不过我并没有大费周章的画出复杂的底线，我只是用最重要的3条线开始，然后在别的地方抄过去参考角度。3条线包括2条不同角度的横线和直线。
As for drawing different type of material, you should know the properties of the material. For example, the brick wall are hard therefore the lines are straighter, the canvas overhang roof is soft therefore line are curved. You can see the difference of thickness protruding outside the wall with the arch window brick and the corner brick.
至于绘画不同种类的材料，首先应该了解材料的一切。例如，砖墙是硬的所以线应该比较直，帆布屋顶是软的所以线会弯。你也可以注意到在拱形小窗和墙角的砖块突出的厚度是不同的。
---
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120, WACOM Intuous 3.
Programme 软件: SAI彩
Sketch
Brush 笔刷
Pen Edge 线边缘形 : 3
Color 颜色 : Cyan
Line
Vector Layer 矢量图层
Pen笔
Pen Edge线边缘形 : 4
Pen Thickness笔的粗细 : 0.5, 1, 2
Color : #000 000
从menewsha.com委托的作品。夜丽希雅属于Arikana。
In regard to background, before making your first line, research should be done to fit the pose and atmosphere and most importantly, the story background setting of the character, if they have one. This time, the owner gave me a place as a reference, and I do a simple google search. Then select a few suitable background and slowly narrow them down to fit the pose and such. It do not take long, just browse through pages, brainstorm and done. At the end, I decided to draw her in an alley under the building shadow, ready to attack.
做背景的时候，在还没有画上第一条线之前，为了配合姿势、气氛还有最重要的是人物的故事背景如果有的话，最好有做前期的研究。这次拥有者给了我一个可参考的地方，做了简单的网络搜索。圈选了一些适合的背景，之后在配合姿势和其他关键下慢慢的缩小范围。并没花费多长的时间，只是扫描过网页、构思就完成了。最后，我把她放在建筑物阴影下的小巷，预备攻击。
1. Perspective.
2. Thickness and hardness of material.
如往常，完稿之前先草稿，还如常用浅蓝色。当画建筑背景应注意的要点：
1. 远近画法
2. 材料的厚度、软硬。
远近画法最佳的方法是用底线。我的背景属于双点远近，不过我并没有大费周章的画出复杂的底线，我只是用最重要的3条线开始，然后在别的地方抄过去参考角度。3条线包括2条不同角度的横线和直线。
As for drawing different type of material, you should know the properties of the material. For example, the brick wall are hard therefore the lines are straighter, the canvas overhang roof is soft therefore line are curved. You can see the difference of thickness protruding outside the wall with the arch window brick and the corner brick.
至于绘画不同种类的材料，首先应该了解材料的一切。例如，砖墙是硬的所以线应该比较直，帆布屋顶是软的所以线会弯。你也可以注意到在拱形小窗和墙角的砖块突出的厚度是不同的。
---
Character 人物: Ei'lycia夜丽希雅
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120, WACOM Intuous 3.
Programme 软件: SAI彩
Sketch
Brush 笔刷
Pen Edge 线边缘形 : 3
Color 颜色 : Cyan
Line
Vector Layer 矢量图层
Pen笔
Pen Edge线边缘形 : 4
Pen Thickness笔的粗细 : 0.5, 1, 2
Color : #000 000
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