给盖亚天空的绘画比赛作品。冬玫瑰是属于比赛主持者。
There are different ways of making the sketch lines lighter. Either using the opacity or changing the blend modes or use the dumb way of eraser with lower opacity. Then, the lines will not be obstructing your view when brushing.
要降低稿线的方法有很多。降低图层的浓度、图层种类或者是最幼稚的少浓度橡皮檫。那么，稿线就不会在上色的时候那么阻碍视线。
Using midtones for background while colouring helps, and sometimes when shading light things, darker background helps and vice versa.
上色的时候利用中等色调可以帮忙看清颜色。有时候，在描绘浅颜色时，较暗的背景可以更加显现颜色，相反的情况亦适用。
This time, I am trying the method of painting, as in lineless painting...at the end, which the sketch line are meant to be just guidelines and will be gone at the end of the final piece. I brush out the shapes of face, hair, clothes and hand. Notice that direction of strokes are pretty important, since the brush property I use could show what the material texture would look like when I further shade the area.
这次，我想试试绘画技巧，就是无线的上色…看最后的话，稿线就只是辅助绘画，在完成品上会消失。我先大略地画出脸，发，衣服和手的形状。注意笔刷的方向挺重要的，既然我用的笔刷数值可以显得出表面的构造，那么就能看出来在深层上色时将会变得怎样。
I only prepared 4 tones colour palette this time, to me is minimum. From lightest, Highlight - Midtone - Shadow - Ultrashadow. Using up to five or seven would be sufficient. Midtone is the true colour of the colour the area should have. I use midtone to brush the shapes, but sometimes use darker ones depending on the background colour, as long as I can see them.
这次我只是准备了四色调，对我来说是最少的盘。从最浅，反光 - 中色 - 影子 - 暗影。理想来说最好有五或者七个。中色就是要用的真正颜色。我是用中色来描绘这次的形状，但有时也因为背景颜色而用比较深的颜色，只要看到就好了。
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Character 人物: Winter Rose 冬玫瑰
Medium 媒介: Digital 电脑
Tool工具 : HP Pavillion, 64-bit Vista, 4gb DDR3, nVidia Geforce GT120, WACOM Intuous 3.
Programme 软件: SAI彩
Brush 笔刷 :
Colour Palette 颜色盘 - Pen, better use pen with full density for precise colour pick up. 为了可以准确的捉颜色，注意要用最浓的浓度。
First stage colour 第一阶段上色 -
Brush:
Density : 100%
Colour Blending : 70%
Opacity Mix : 70%
Persistence : 50%
Keep opacoty : √
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